A GOOD MAN IS
HARD TO FIND
A Good Man Is Hard to Find won the international choreographic call out for Venice Biennale 2025. The work draws inspiration from the 2008 financial crash, and the ‘Cremation of Care’ ceremony; an annual ritual ceremony where the global elite banish their guilt, by the San Francisco private members club the Bohemian Grove. The piece investigates uncomfortable scenarios about power plays and hierarchies, humiliation with scapegoating and sacrifice.
This show was supported by Sadlers Wells, Unlimited and Attenborough Centre for Creative Arts. They are recent residents of the Barbican, Studio Wayne McGregor, Britten Pears and have created performances for Warp Records and Paris Fashion Week.
WHO HURT YOU?
WHO HURT YOU? showcases the final performance of an aged seminal drag star, her embittered ensemble and 15 piece orchestra. Joe Bobowicz, Frieze, wrote of the piece “Queer performance art and dance defined by public acts of confession and self-affliction… iteratively building and breaking identities to highlight the nature of performance in queer art.”
TOM
A pop music-video that never ends, TOM is a look at the insanity of bureaucracy, institutional power and performed compliance. One Hamburg critic wrote TOM is “uncomfortable because on the one hand dance appears as something seductive and beautiful, but on the other hand it strains the body and ultimately destroys it.”